{"id":615,"date":"2019-01-22T12:39:09","date_gmt":"2019-01-22T10:39:09","guid":{"rendered":"https:\/\/sietuva.lt\/?p=615"},"modified":"2019-01-22T12:39:09","modified_gmt":"2019-01-22T10:39:09","slug":"recenzija","status":"publish","type":"post","link":"https:\/\/sietuva.lt\/index.php\/2019\/01\/22\/recenzija\/","title":{"rendered":"Recenzija"},"content":{"rendered":"<p style=\"text-align: justify;\"><span style=\"color: #808080;\"><em><strong>\u201e\u0160okio spektaklis B + K. Legenda apie Birut\u0119 ir K\u0119stut\u012f\u201c<\/strong> \u2013 id\u0117ja ir choreografija Edmundas \u017di\u010dka, muzika Donatas Zakaras, Saulius Petreikis, kostiumai Neringa Savodnikien\u0117, scenografija Ieva Beleckait\u0117.<\/em><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #808080;\"><em>Siu\u017eetas remiasi XVI am\u017eiaus prad\u017eioje Lietuvos metra\u0161tyje u\u017era\u0161yta tokia legenda: \u201cK\u0119stutis, vie\u0161pataudamas Trakuose bei \u017demai\u010diuose, i\u0161girdo esant Palangoje mergel\u0119, vardu Birut\u0117, kuri pagoni\u0161ku papro\u010diu buvo pasi\u017ead\u0117jusi savo dievams i\u0161saugoti skaistyb\u0119 ir pati buvo \u017emoni\u0173 garbinama kaip dievait\u0117. Nuvyko pats didysis kunigaik\u0161tis K\u0119stutis tenai, ir labai ji jam patiko, nes buvo labai gra\u017ei mergait\u0117 ir protinga. Ir pra\u0161\u0117 j\u0105, kad b\u016bt\u0173 jo \u017emona, Ji nenor\u0117jo sutikti ir atsisak\u0117, kad pasi\u017ead\u0117jusi savo dievams i\u0161saugoti skaistyb\u0119 iki mirties. Ir kunigaik\u0161tis K\u0119stutis pa\u0117m\u0117 j\u0105 prievarta i\u0161 tos vietos, su did\u017eia pagarba palyd\u0117jo j\u0105 \u012f savo sostin\u0119 Trakus ir, sukviet\u0119s brolius, i\u0161k\u0117l\u0117 su savaisiais broliais dideles vestuves ir pa\u0117m\u0117 t\u0105 mergel\u0119 Birut\u0119 sau u\u017e \u017emon\u0105.\u201d<\/em><\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify;\">Pa\u010dioje spektaklio \u201e B + K. Legenda apie Birut\u0119 ir K\u0119stut\u012f\u201c prad\u017eioje jau\u010diama rami, aristokrati\u0161ka nuotaika, kuomet \u0161ok\u0117jai i\u0161kilmingai vaik\u0161to po scen\u0105, sveikinasi su kunigaik\u0161\u010diu ir pradeda \u0161okti. Pirmojo \u0161okio tematika turi r\u016bm\u0173 \u0161okio prieskonio, kas \u0161iame veiksme yra labai tinkamai i\u0161reik\u0161ta. \u0160ok\u0117jai pasipuo\u0161\u0119 XIV a. kostiumais atlieka pritupiamuosius, paprastuosius, pristatomuosius \u017eingsnius. Vis\u0173 \u0161ok\u0117j\u0173 rankos \u0161ioje kompozicijoje laikomos laisvai \u0161onuose. Jeigu atliekami judesiai yra pakankamai tradici\u0161ki tautiniam \u0161okiui, tai br\u0117\u017einiai \u010dia i\u0161ie\u0161koti daugiau. Choreografas puikiai i\u0161naudoja erdv\u0119 scenoje, neapsiriboja stati\u0161ku atlikimu, o leid\u017eia steb\u0117ti tarsi nuolatiniame ramiame judesyje \u0161okan\u010dius \u0161ok\u0117jus. Vietomis vyrai laiko rankas u\u017ed\u0117j\u0119 ant savo dir\u017e\u0173, kiek labiau priekyje nei \u012fprastai. Pirmasis \u0161okis visa laik\u0105 aktyviai vystosi dramaturgine prasme, atrodo, n\u0117ra \u201ctu\u0161\u010di\u0173\u201d viet\u0173, ta\u010diau norisi ai\u0161kesnio vadinamojo \u0161okio \u201ckredo\u201d, kuomet \u0161ok\u012f jungt\u0173 vienas ar keli ai\u0161k\u016bs judesiai, kurie vystyt\u0173si visame \u0161okyje.<\/p>\n<p style=\"text-align: justify;\">Ypatingai i\u0161ie\u0161kotas atrodo \u201cMed\u017eiokl\u0117s\u201d dalies \u0161okis. \u010cia jau matomas ai\u0161kus \u0161okio \u201ckredo\u201d \u2013 kadangi \u0161ok\u0117jai vyrai simbolizuoja \u012f med\u017eiokl\u0119 i\u0161jojusius karius, tai ir j\u0173 atliekami \u0161okio \u017eingsniai beveik visa \u0161ok\u012f i\u0161lieka tarsi nuolatinis jojimas ant arklio, tai aktyviai laikant vad\u017eias, o kartu netgi sustojant pamed\u017eioti. Choreografas nat\u016braliai perteikia savo sugalvot\u0105 tematik\u0105. Ie\u0161kodamas nauj\u0173 atlikimo form\u0173 pavaizduoti med\u017eioklei, autorius kurdamas s\u0117kmingai improvizuoja su rank\u0173 judesiais. O \u0161\u012f s\u0117kming\u0105 \u0161ok\u012f dar labiau pagyvina ir \u012fprasmina pabaigoje, beveik tamsioje scenoje pavieniui \u201cprajojantys\u201d raiteliai.<\/p>\n<p style=\"text-align: justify;\">Antroji spektaklio dalis prasideda Birut\u0117s aukojimu dievams. Pa\u010dioje prad\u017eioje pritr\u016bksta ai\u0161kaus rekvizito arba \u012fdomesni\u0173 judesi\u0173 aukojimui simbolizuoti, ta\u010diau vystantis \u0161okiui matome ir auk\u0161tai keliamas rankas, jud\u0117jim\u0105 \u012fvairiais br\u0117\u017einiais \u2013 ir v\u0117l s\u0117kmingai i\u0161naudojant erdv\u0119. Itin \u012fdomiai atrodo mergin\u0173 atliekami judesiai su rankomis, vienu metu jie \u0161veln\u016bs, kurie mano manymu gal\u0117t\u0173 simbolizuoti skaistyb\u0119, kitu metu grie\u017eti ir kampuoti pla\u0161tak\u0173 judesiai \u2013 tarsi sav\u0119s saugojimo \u017eenklas. Vis d\u0117lto man nor\u0117t\u0173si ai\u0161kesnio \u0161i\u0173 rank\u0173 judesi\u0173 pl\u0117tojimo, kurie gal\u0117t\u0173 atsispind\u0117ti ypa\u010d prad\u017eioje \u0161okio.<\/p>\n<p style=\"text-align: justify;\">K\u0119stu\u010dio pasitikimo metu matome puikiai i\u0161vystyt\u0105 \u0161okio ir spektaklio sintez\u0119, kuomet \u0161okio judesiai puikiai dera su vaidybiniu veiksmu scenoje. Choreografas pateikia beveik nematyt\u0105 vyr\u0173 \u0161ok\u012f su akmenimis bei mergin\u0173 judesius su grandin\u0117l\u0117mis prisegtomis prie r\u016bb\u0173. Galb\u016bt galima buvo visus \u0161iuos rekvizitus parodyti ne tik atskirai, ta\u010diau ir atspind\u0117ti j\u0173 bendrum\u0105. \u0160oki\u0173 atlikime vis dar vyrauja paprastieji \u017eingsniai, pasvirimai, prit\u016bpimai. Ypa\u010d efektingai atrodo mergin\u0173 persipynimai pro vaikinus, kol \u0161ie tuo metu svyruoja tai \u012f vien\u0105, tai \u012f kit\u0105 pus\u0119. Emocionaliai bei \u0161iltai atrodo pagrindini\u0173 veik\u0117j\u0173 duetas. Tik \u010dia man ir v\u0117l nor\u0117t\u0173si prid\u0117ti praeitame mergin\u0173 \u0161okyje matytas grie\u017etas rankas, nes visgi tema \u0161iame duete b\u016bt\u0173 pana\u0161i.<\/p>\n<p style=\"text-align: justify;\">Kovoje tarp kunigaik\u0161\u010dio kariaunos bei kur\u0161i\u0173 ir v\u0117l galime pamatyti, kaip originaliai ir \u012ftikinamai choreografas moka judesiais \u012fprasminti savo sugalvot\u0105 tem\u0105. Vyrai beveik kubiliuku rankas sukabin\u0119 grumiasi tarpusavyje \u2013 \u012fterpiami kovai taip reikalingi lengvi \u0161uoliai, treptel\u0117jimai. Judesiai puikiai i\u0161pildo muzik\u0105 ir dera tarpusavyje. Vestuvi\u0173 dalyje ak\u012f traukia pagrindini\u0173 \u0161ok\u0117j\u0173 kostiumai bei artisti\u0161kumas. Spektaklis puikiai vystosi ir pritraukia \u017ei\u016brov\u0105. \u010cia visi \u0161ok\u0117jai i\u0161laikydami visam \u0161iam spektakliui b\u016bdingus ramius judesius, \u012fpina ir b\u0117gamuosius \u017eingsnius, stryksnius, auk\u0161tas rankas, spartesn\u012f jud\u0117jim\u0105, kaip ir dera finalui. Mergin\u0173 auk\u0161t\u0173 rank\u0173 norisi daugiau, ypa\u010d turint tok\u012f i\u0161pildyt\u0105 ir \u0161okio rai\u0161kai pritaikyt\u0105 kostium\u0105. Muzika pabaigoje pasi\u017eymi originalumu, tokiu pat b\u016bdu leisdama atsiskleisti ir \u0161okio judesiams.<\/p>\n<p style=\"text-align: justify;\">Apskritai visas \u0161is darbas, mano nuomone, yra didelis choreografo \u0161uolis dar efektyvesn\u0117s k\u016brybos link. Spektaklyje galime pamatyti nauj\u0173, niekur nematyt\u0173 detali\u0173, br\u0117\u017eini\u0173 form\u0173, scenos erdv\u0117s i\u0161naudojimo, tvarkingo \u0161okio dali\u0173 sujungimo \u012f visum\u0105. Atlik\u0117jai bei k\u016br\u0117jas itin kruop\u0161\u010diai atlieka sau pavest\u0105 u\u017eduot\u012f. Turint omenyje, kad tai pirmas tokio tipo spektaklis \u0161iam choreografui, link\u0117\u010diau jam nebijoti dar dr\u0105sesni\u0173 ie\u0161kojim\u0173, subtilesni\u0173, gal netgi ne toki\u0173 gra\u017ei\u0173 ar \u201cteising\u0173\u201d i\u0161rai\u0161kos form\u0173.<\/p>\n<p style=\"text-align: right;\"><em><strong>Silverija Gusait\u0117<\/strong><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u201e\u0160okio spektaklis B + K. Legenda apie Birut\u0119 ir K\u0119stut\u012f\u201c \u2013 id\u0117ja ir choreografija Edmundas \u017di\u010dka, muzika Donatas Zakaras, Saulius Petreikis, kostiumai Neringa Savodnikien\u0117, scenografija Ieva Beleckait\u0117. Siu\u017eetas remiasi XVI am\u017eiaus prad\u017eioje Lietuvos metra\u0161tyje u\u017era\u0161yta tokia legenda: \u201cK\u0119stutis, vie\u0161pataudamas Trakuose bei \u017demai\u010diuose, i\u0161girdo esant Palangoje mergel\u0119, vardu Birut\u0117, kuri pagoni\u0161ku papro\u010diu buvo pasi\u017ead\u0117jusi savo dievams&hellip;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_mi_skip_tracking":false},"categories":[13],"tags":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v19.0 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Recenzija - Tautini\u0173 \u0161oki\u0173 kolektyvas Vilniuje<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/sietuva.lt\/index.php\/2019\/01\/22\/recenzija\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Recenzija - Tautini\u0173 \u0161oki\u0173 kolektyvas Vilniuje\" \/>\n<meta property=\"og:description\" content=\"\u201e\u0160okio spektaklis B + K. 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